Matching Items (523)
Filtering by

Clear all filters

96567-Thumbnail Image.jpg
Created1988-01-07
DescriptionSematech Package, Morfessis, Caldwell, Corbett-Broad Remote/In-Studio (Shelton); Robert Robb Commentary #15: Passing Era Package (Durrenberger); Pueblo Grande Package (Cavanary). Segments on Arizona's loss in two high-tech center competitions, the Robert Robb's commentary (leadership styles and Ed Korrick's retirement), and archaeology at Pueblo Grande.
DescriptionPhotograph of a group at a formal event. Photo taken by J. Chaw, who had a studio in San Nicolas, Havana.
DescriptionPhotograph of a couple at a formal event. Photo Was taken by J. Chaw studio in Havana, Cuba.
Created1950-10-15
Description
The back reads: "A beautiful aspect of this window is one of many commercial establishments of Havana that display and sell Chinese porcelain. From the little symbolic figure to the complicated and expensive piece of furniture with the fine piece of sculpture, here is presently a large display of the

The back reads: "A beautiful aspect of this window is one of many commercial establishments of Havana that display and sell Chinese porcelain. From the little symbolic figure to the complicated and expensive piece of furniture with the fine piece of sculpture, here is presently a large display of the industry of Chinese porcelain."
Created1941
DescriptionThe back reads: "To Mercedes and Lanuliu of Jorge and Bebo Cheong, Havana"
ContributorsRajko, Jessica (Speaker)
Created2017-05-05
Description
In an immersive viasual experience, Mrs. Rajko asks: do we use our technology, or is it using us?

Jessica Rajko is an interdisciplinary artist exploring the embodied, corporeal, and lived experience of data. As an assistant professor at Arizona State University, her work blends praxis and scholarship from dance, somatic practices,

In an immersive viasual experience, Mrs. Rajko asks: do we use our technology, or is it using us?

Jessica Rajko is an interdisciplinary artist exploring the embodied, corporeal, and lived experience of data. As an assistant professor at Arizona State University, her work blends praxis and scholarship from dance, somatic practices, phenomenology, and human-computer interaction design. She is a founding co-Director of the ASU Human Security Collaboratory, a non-departmental collective of artists and scholars addressing complex problems affecting the security of individuals and communities, with a special emphasis on digital technologies and their uses. Considering issues such as digital civil rights and equity in tech, her research aspires to integrate intersectional feminist frameworks within all her practices. Jessica has presented and performed in various collaborative artworks nationally and internationally, including Toronto’s Scotiabank Nuit Blanche festival and New York City’s Gotham Festival at The Joyce Theatre. She was named one of Phoenix New Times’s “100 Creatives of 2016.” She is the co-founder and co-director of urbanSTEW (urbanSTEW.org), a non-profit arts collective that creates participatory, art/tech installations to engage local communities in multisensory, felt experiences. Jessica received her MFA in Dance and Interdisciplinary Digital Media at Arizona State University in 2009 (outstanding graduate of the year) and her BA in Dance and Psychology at Hope College in 2005.
Created1864-03-08
Description

This is a ship manifest detailing the 290 Chinese colonists expected to arrive in Cuba aboard the Portuguese ship "Gica." The ship arrived in the port of Havana on March 8, 1864, with 281 of the colonists listed in the ship manifest; seven died during the journey and two remained in

This is a ship manifest detailing the 290 Chinese colonists expected to arrive in Cuba aboard the Portuguese ship "Gica." The ship arrived in the port of Havana on March 8, 1864, with 281 of the colonists listed in the ship manifest; seven died during the journey and two remained in Macao.

41154-Thumbnail Image.png
ContributorsMather, Stephen T. (Author)
Created1926-03-08
Description

Letter from Stephen T. Mather to Carl T. Hayden advocating for a reduction in automobile fees for the South Rim entrance.

68440-Thumbnail Image.png
ContributorsHeffernon, Rick (Author) / Welch, Nancy (Author) / Valdivia, Walter (Author) / Morrison Institute for Public Policy (Publisher)
Created2004-01
Description

Morrison Institute for Public Policy has analyzed returns from Arizona’s Proposition 301-supported public investments in science and technology research at Arizona State University since 2001. This publication updates a portion of the April 2003 study, "Seeds of Prosperity: Public Investment in Science and Technology Research."

68439-Thumbnail Image.png
ContributorsHeffernon, Rick (Author) / Melnick, Rob (Author) / Morrison Institute for Public Policy (Publisher)
Created2005-04
Description

This publication updates the January 2004 study, New Returns on Investment in the Knowledge Economy: Proposition 301 at Arizona State University, FY 2003. Both works were launched by the report, Seeds of Prosperity: Public Investment in Science and Technology Research (2003), by Morrison Institute for Public Policy. Morrison Institute will

This publication updates the January 2004 study, New Returns on Investment in the Knowledge Economy: Proposition 301 at Arizona State University, FY 2003. Both works were launched by the report, Seeds of Prosperity: Public Investment in Science and Technology Research (2003), by Morrison Institute for Public Policy. Morrison Institute will periodically publish new material to keep you informed of the status of Proposition 301 investments at Arizona State University.