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Alameda-Stone Cemetery, commonly called the National cemetery, was used as Tucson's first cemetery from about 1860 to 1875. It was the direct successor of the cemetery inside the Tucson Presidio. The City of Tucson closed the cemetery in 1875 in anticipation of the coming of the railroad and the sale of the cemetery land for residential and commercial uses. In 1881, the city directed that all burials be removed from the National Cemetery and re-interred at the Court Street Cemetery. However, many burials were not removed before the land was subdivided and developed. These volumes document the archaeological investigation of the area from 2006-2008 before construction of a new court building.
To help commemorate Arizona’s centennial on February 14, 2012, a centennial project was begun to inventory and promote the protection of historic cemeteries throughout the state. Historic cemeteries were chosen as the focus of a centennial project because they are important irreplaceable resources many of which are in danger of being lost through neglect, natural erosion, and vandalism. As the Arizona Centennial approached, it seemed appropriate that an organized statewide effort be undertaken to locate, inventory and provide guidance for the conservation and maintenance of these significant properties.
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Triptych depicting backstage preparations during a kabuki play.
Depicted are the kabuki actors Nakamura Shikan IV 四代目 中村 芝翫 as the wood cutter Ōtomo Kuronushi 大伴 黒主, who is plotting a coup d'état, and Sawamura Tanosuke III 三代目 中村 芝翫 as Sumizome 墨染, the spirit of the cherry tree.
This diptych portrays the actors Ichikawa Ebizō V 五代目 市川 海老蔵 as Musashibō Benkei 武蔵坊 辨慶 (left) and Ichikawa Danjurō VIII 八代目 市川 団十郎 as Togashi Saemon 富樫 左衛門 (right).
This diptych shows the ghost of Asakura Tōgo 朝倉當吾 returning to haunt the man responsible for his death, the corrupt governor Orikoshi Tairyō 織越大領. A kappa (a traditional folk monster) tumbles comically at Orikoshi’s feet.