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Table of Contents:
"Preface," Page 3.
"Introduction," Page 5.
"Notes Page," 14.
"Chronology," Page 17.
"Plates," Page 18.
"Epilogue Page," 174.
"Acknowledgments," Page 179.
Table of Contents:
"Forward"
"Lenders to the Exhibition"
"Chinese Painting under the Qianlong Emperor, 1735-1795" by Ju-hsi Chou, Page 1.
"A Matter of Taste: The Monumental and Exotic in the Qianlong Reigh" by Harold L. Kahn, Page 288.
"Court Painting under the Qianlong Emperor" by Howard Rogers, Page 303.
"The Painting Academy of the Qianlong Period: A Study in Relation to the Taipei National Palace Museum Collection" by She Ch'eng, Page 318.
"Court Painting in the Yongzheng and Qianlong Periods of the Qian Dynasty with Reference to the Collection of the Palace Museum, Peking" by Yang Xin, Page 343.
"Selected Bibliography," Page 358.
"Glossary of Chinese Characters," Page 360.
"Credits"
Records for the ship Carpenteria, which brought Chinese settlers from China to Cuba under contract with Gregorio Cejedor. On this trip, the Carpenteria brought settlers from China to work.
A letter sent from a mother, whose husband’s family name is Chen 陳, to her son Chen Shubang 陳樹邦 who was working in Cuba with his father.