Table of Contents:
"Preface," Page 3.
"Introduction," Page 5.
"Notes Page," 14.
"Chronology," Page 17.
"Plates," Page 18.
"Epilogue Page," 174.
"Acknowledgments," Page 179.
Table of Contents:
"Forward"
"Lenders to the Exhibition"
"Chinese Painting under the Qianlong Emperor, 1735-1795" by Ju-hsi Chou, Page 1.
"A Matter of Taste: The Monumental and Exotic in the Qianlong Reigh" by Harold L. Kahn, Page 288.
"Court Painting under the Qianlong Emperor" by Howard Rogers, Page 303.
"The Painting Academy of the Qianlong Period: A Study in Relation to the Taipei National Palace Museum Collection" by She Ch'eng, Page 318.
"Court Painting in the Yongzheng and Qianlong Periods of the Qian Dynasty with Reference to the Collection of the Palace Museum, Peking" by Yang Xin, Page 343.
"Selected Bibliography," Page 358.
"Glossary of Chinese Characters," Page 360.
"Credits"
A letter sent from a mother, whose husband’s family name is Chen 陳, to her son Chen Shubang 陳樹邦 who was working in Cuba with his father.
A contract between Felix, a Chinese settler, and Juan. The contract was to last for two years and lists the legal requirements of both the employee and the employer. Notes that Felix completed a contract with Juan previously. Felix did not negotiate or sign the contract as the signature stipulates that someone else signed for him. Signed by the governor, two witnesses, and Juan.
