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- All Subjects: kabuki
- All Subjects: money
- All Subjects: Educational equalization
- Creators: The Pride Publishing Company
- Creators: Connelly, Mollie
If Arizona is going to be successful not only in improving minority access to higher education, but more importantly, minority student success in higher education, a systematic approach needs to be developed. The answers to improving minority access and achievement in higher education requires a holistic view of education as a system as well as an integrated look into the drivers of academic success. A fundamental problem exists with current policies designed to improve minority representation in higher education. Arizona’s lack of both a systematic view of the problem and the creation of a framework to evaluate policy ideas are sources of these disappointing results. The purpose of this paper is to fill in the gap by providing a framework of focus for academic success to be used to enhance Arizona’s approach to higher education policy.
Concerning the sale of Waterhouse's painting "La Belle Dame Sans Merci" to George Woodiwiss for £450 if it is not sold prior to then.
Concerning an accidental extra charge for George Woodiwiss, and Waterhouse's intentions of paying the charge.
Concerning the price and copyright details of Waterhouse's painting "La Belle Dame Sans Merci", who is selling it to George Woodiwiss.
Concerning Byron's orders concerning her personal finances and bank operations.
Triptych depicting backstage preparations during a kabuki play.
Depicted are the kabuki actors Nakamura Shikan IV 四代目 中村 芝翫 as the wood cutter Ōtomo Kuronushi 大伴 黒主, who is plotting a coup d'état, and Sawamura Tanosuke III 三代目 中村 芝翫 as Sumizome 墨染, the spirit of the cherry tree.
This diptych portrays the actors Ichikawa Ebizō V 五代目 市川 海老蔵 as Musashibō Benkei 武蔵坊 辨慶 (left) and Ichikawa Danjurō VIII 八代目 市川 団十郎 as Togashi Saemon 富樫 左衛門 (right).
This diptych shows the ghost of Asakura Tōgo 朝倉當吾 returning to haunt the man responsible for his death, the corrupt governor Orikoshi Tairyō 織越大領. A kappa (a traditional folk monster) tumbles comically at Orikoshi’s feet.