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  • The panel along the top right of the viewer includes a full screen option Mirador full screen button which is a square with line breaks on to top right bottom and left sides in the middle of each side of the square. This button in the Mirador viewer is labeled as Full screen.to view the object at the full size of your screen.
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Name Type Format Size
Kaikoku heidan 海國兵談 Original File
97.72 KB
66727-large.jpg Service File
119.69 KB

Details

Title
  • Kaikoku heidan 海國兵談
Contributors
  • Hayashi 林, Shihei 子平 (Author)
Date Created
1787 to 1791
Resource Type
  • Image
  • Identifier
    • Identifier Type
      Locally defined identifier
      Identifier Value
      The Melikian Collection L2011.008.071
    Note
    • Originally self-published
    • Hand-drawn ink on paper,
      Size: 10 1/16 x 7 3/16 in.
    • Hayashi Shihei (1738-1793), a samurai from Mutsu, originally went to Nagasaki in 1755 to study Dutch horsemanship (1). His visit to Nagasaki in 1777, however, was what prompted him to write Kaikoku heidan, an illustrated discourse on military strategies in sea battles and weaponry. A meeting with the head of the Dutch Trading Office gave Hayashi enough information to become concerned for Japan’s future and the government’s foreign policy.

      Shihei had difficulty securing funds for printing, and it took him three years to finally complete the publication (2). It was originally self-published to avoid government censorship (3). Generally, self-published books, as well as manuscripts and books printed with movable type, were exempt from censorship. Unfortunately, the book was banned in the same year the last volume was published. The government confiscated the printed books as well as the printing blocks, and placed Shihei under house arrest.

      He is said to have composed a parody poem to express his predicament, “No parents, no wife, no children, no printing blocks, no money, but no way I would want to die.” His earlier work, Sangoku tsūran zusetsu (The survey of three countries),i was also banned in the same year.

      Researcher Momoko Welch

      1. Donald Keene, Frog in the Well: Portraits of Japan by Watanabe Kazan 1793-1841 (New York: Columbia University Press, 2006), 147.
      2. Hashiguchi, 110.
      3. Hashiguchi Kōnosuke, Edo no honya to honzukuri (Tokyo: Heibonsha, 2011), 109.

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