The ASU Art Museum serves a diverse community of artists and audiences through innovative programming that is interdisciplinary, educational and relevant to life today. The Jules Heller Print Study Room at the ASU Art Museum provides a secure environment for care and storage for more than 6000 prints in the collection while also being an accessible resource for students and public. An average of 600 students visit the Jules Heller Print Study Room during the academic year. To further assist the educational experience, on display are examples of tools used to create the prints and the Curator of Prints is available to explain the tools and print making processes to students, professors and scholars. Classes and individual students have participated in the origination and research of exhibitions from our Japanese print holdings: Lasting Impressions: Japanese Prints from the ASU Art Museum (Aug. 28 – Nov. 27, 2010); Legends and Myths in Japanese Kabuki Prints (Feb. 11 – Sept. 29, 2012); and, Echoes of Japan: Prints by Western Women (Jan. 3 – May 17, 2014). By digitizing the Japanese print collection; and placing it in the Library's digital repository will expand and support our interdisciplinary and educational focus in Japanese art, making it available to a much broader audience than just the museum visitor. This is a collaboration between ASU Libraries, the ASU Art Museum, and ASU Herberger Institute for Design and the Arts.

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ContributorsUtagawa Hiroshige (Artist) / 歌川 広重 (Artist) / Ezakiya Kichibei (Publisher) / 江崎屋吉兵衛 (Publisher)
Created1841 to 1842
DescriptionThis print is number 46 of the Gyōsho edition of Hiroshige’s 53 Stations of the Tōkaidō Road. It depicts the post house at Shōno (in present-day Mie prefecture), where travelers are changing horses mid-journey along the Tōkaidō Road.